Upcoming Tutorial on Cross Polarization

7 09 2009

Now, I won’t get paid any more or any less for announcing this but, since I’ve been working on it for awhile (thus neglecting my blog), I wanted to share an excerpt and this announcement. This tutorial will be appearing at tutsplus.com within a week or so.

Here is an excerpt so be sure to check it out at the link above. The link will be updated as soon as the tutorial is published.

STEP 4: How to Compose the Shot

Composition is always a serious issue in photography. My advice here is to ‘tighten’ your image by moving in as close as you can. This rule can even eradicate/eliminate light contamination. Check your saved shots regularly to ensure your composition is what you want.

When taking your light reading you must take into consideration whether your background is to be white or black. For a good black background, take your light reading from the lightest part of your subject (low key). If you’re going for a white background, take your light reading from the darkest part of your subject (high key). Be careful of the high key approach as it often causes loss of detail in the brighter parts of the image.

Plastic Goblet in Cross Polarization

Plastic Goblet in Cross Polarization

Text and Photo © 2009 Kathleen Bjoran

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What Should I Have Done

30 08 2009

Foreword: This poem was written in 2002 when my husband believed that Max was too wild to fit into our household.

When I came to you,
Thought you were sad,
I stood to hug you, to kiss you, to cheer you.
What should I have done?

When I threw my toys through the air,
I made you laugh so I asked you to join in.
You hid my toys from me or yelled at me.
What should I have done?

I saw you sit on the couch.
Your smell, your essence, became part of it.
Wanting to understand and be close to you, I climbed up.
What should I have done?

Running those crazy-eights while I was outside,
Gave me release of some energies.
Yet, you called at me, “Hurry up, Max!”
What should I have done?

You were all I had.
You were my entire life.
I loved you.
What should I have done?

Afterword: The photo depicts before and after the poem. Needless to say, Max (now eight) is still with us. It takes a great deal of love to stay together.

Max Beore and After

Max Beore and After

Photos and articles © 2009 Kathleen Bjoran





Et Tu, Mr. Dumas?

25 08 2009

As I sit and sip my absinthe—and pass my duck confit from one side of my plate to the other—from the all too familiar outdoor café, I see the tall dancing Turkey Oak trees in the distance. Many areas of the majestic Pyrénées Mountains are dappled with brilliant yellow patches. As Mr. Alexandre Dumas peers at me from his stony perch, I am aware that he realizes he has finally found what he was seeking. In those cold eyes I can see a tender and warm soul. The dark stone of the statue resembles his mixed heritage—not in mockery but in profound respect for the man. His rotund stature pulls all light toward him. He has been perched for far too long. The statue that has held him in memoriam has grown smaller for now the man has stepped down. I see him crossing the Garonne with arms open reaching to me as the oaks reach to the sun. His stony arms embrace me as he greets me with a cool kiss on my raised hand. He warms as his stony skin absorbs the sun. I can feel the warmth even though the embrace has loosened. Has he found inspiration to write yet another romantic novel…as the others have? Will I be mentioned by name or will I be a dutiful simile…as others have done? Would I remember tomorrow the images I see today?

Alexandre Dumas

Alexandre Dumas

Story © 2009 Kathleen Bjoran. Photo public domain